The elaboration of this work introduced a new narrative stage in the conception of the following projects, as in 'The Invisibility of Huge Things' 2018. The creation of a character that transits all the time between the fictional and the documentary works as a strategy in the construction of new optical and sound devices. This process conceived the trajectory of an inventor, identified only by the initials T. H., who created a device capable of identifying large geographic areas susceptible to large oscillations and sudden changes in their original geological formation. The manipulation of the photograph takes place in several levels of the imagetic surface; bending, stretching or acting directly on the image.
Manipul_agem | 2017
Wood, acrylic , macro lens, mineral pigment on cotton paper
210 x 410 x 100mm (W x H x D)
Manipul_agem | 2017
Object detail | pigment on cotton paper
210 x 410 mm
Studio procedure with chroma
key background
Manipul_agem e Comportamento de ondas I, II e III | 2017
Object details
Wood, acrylic , macro lens and mineral pigment on cotton paper
210 x 410 x 100mm | 220 x 220 x 74mm | 189 x 189 x 74mm | 158 x 158 x 74mm (W x H x D)
Comportamento de ondas I | 2017
Wood, acrylic and mineral pigment on cotton paper
158 x 158 x 74mm (W x H x D)
Comportamento de ondas II | 2017
Wood, acrylic and mineral pigment on cotton paper
189 x 189 x 74mm (W x H x D)
Comportamento de ondas III | 2017
Wood, acrylic and mineral pigment on cotton paper
220 x 220 x 74mm (W x H x D)