manipul_agem

 

(2017)

 

Creative process | Object

 

 

 

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The elaboration of this work introduced a new narrative stage in the conception of the following projects, as in 'The Invisibility of Huge Things' 2018. The creation of a character that transits all the time between the fictional and the documentary works as a strategy in the construction of new optical and sound devices. This process conceived the trajectory of an inventor, identified only by the initials T. H., who created a device capable of identifying large geographic areas susceptible to large oscillations and sudden changes in their original geological formation. The manipulation of the photograph takes place in several levels of the imagetic surface; bending, stretching or acting directly on the image.

 

Manipul_agem | 2017

 

Wood, acrylic , macro lens, mineral pigment on cotton paper

210 x 410 x 100mm (W x H x D)

 

Manipul_agem | 2017

 

Object detail | pigment on cotton paper

210 x 410 mm

 

Studio procedure with chroma

key background

 

Manipul_agem e Comportamento de ondas I, II e III | 2017

 

Object details

Wood, acrylic , macro lens and mineral pigment on cotton paper

210 x 410 x 100mm | 220 x 220 x 74mm | 189 x 189 x 74mm | 158 x 158 x 74mm (W x H x D)

 

 

Comportamento de ondas I | 2017

 

Wood, acrylic and mineral pigment on cotton paper

158 x 158 x 74mm (W x H x D)

 

 

Comportamento de ondas II | 2017

 

Wood, acrylic and mineral pigment on cotton paper

189 x 189 x 74mm (W x H x D)

 

 

Comportamento de ondas III | 2017

 

Wood, acrylic and mineral pigment on cotton paper

220 x 220 x 74mm (W x H x D)