the

invisibility

of

huge

things

(2018)

 

This project was held during the Artist in Residence Programme at Nida Art Colony, Lithuania. It was partially funded by the Ministry of Culture of Lithuania and supported by the Vilnius Academy of Arts

/

 

 

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The Invisibility of Huge Things | 2018

 

Installation view

Tuning forks, speakers, wood and folded paper

Variable dimensions

 

The Invisibility of Huge Things | 2018

 

Installation view

Protection glasses and paint

Variable dimensions

 

The Invisibility of Huge Things | 2018

 

video stills | chapter V - Final

HD | 16:9 | 25'08" | stereo | color

 

 

The enigmatic trajectory of an inventor known only as T. H. lies at the heart of fragmented research documenting his creation of a revolutionary device—one purportedly capable of pinpointing vast geographic zones vulnerable to catastrophic upheaval and sudden, radical transformations in their geological foundations. Yet, the inventor’s life, the mechanics of his apparatus, and even his motivations remain shrouded in obscurity. Skepticism pervades the scientific community, fueled by the absence of definitive records: no coherent journals, no technical schematics, and no verifiable proof of the machine’s efficacy survive. All that endures are a handful of ambiguous photographs (their origins as mysterious as the inventor himself) and scattered, near-illegible notes—fragments that offer glimpses, but no answers.

 

The Invisibility of Huge Things | 2018

 

Video excerpt

HD | 16:9 | 2'04" | estéreo | cor

 

Waves catcher | 2018

 

Wood, folded paper and head-phone

Variable dimensions

The device itself has never been replicated, nor its claims validated. Instead, these remnants invite a different kind of inquiry: not into the apparatus as a feat of engineering, but into the mind of its creator. What drove T. H. to obsess over landscapes teetering on the brink of chaos? Was his work a warning, an experiment, or something more unorthodox? Within the gaps of his biography, anomalies emerge. His writings betray a psyche unmoored from rigid scientific pragmatism, favoring intuition and embracing ambiguity. The very unpredictability of the geological phenomena he sought to map seems to mirror the labyrinthine turns of his own reasoning—a duality that raises unsettling questions. Could the device have been less a tool for prediction than a conduit for something darker, a reflection of its creator’s unraveling grasp on order?

 

 

 

 

 

To reconstruct T. H.’s story is to confront not only the ghost of a forgotten genius, but the haunting possibility of a technology that might have redirected the course of civilization—or hastened its undoing.

 

 

Kolekcionierius | 2018

 

Video still

Chapter 6 | The Invisibility of Huge Things

 

Sample I | 2018

 

Object detail | Wood, mirror and lichens

Variable dimensions

 

Sample II | 2018

 

Object detail | Photograph, glass and lichens

Variable dimensions

 

The Invisibility of Huge Things | 2018

 

Partial view of Installation

Open-studio NIDA ART COLONY

Variable dimensions

 

The Invisibility of Huge Things | 2018

 

Installation detail

Wand and sugar

Variable dimensions

 

Behaviour of waves | 2018

 

Mineral pigment on cotton paper

290 x 435 mm

 

The Invisibility of Huge Things | 2018

 

Partial view of Installation

Open-studio NIDA ART COLONY

Variable dimensions

 

The Invisibility of Huge Things | 2018

 

Partial view of Installation

Open-studio NIDA ART COLONY

Variable dimensions

 

Field recording | Curonian Lagoon (january 2018)

 

Nida Art Colony catalogue "Linijos Ritualai Perfor(m) uoti peizažai"

ISBN 978-609-447-325-8

Download in PDF <here>