hidden
and
missing
things
(2020)
This project was commissioned by Kone Foundation (Finland) and held during the Saari Residency
/
EN | PT
How to find water in the backwoods | video stills | 2019 - 2020
documentation process
vídeo | 16:9 | stereo
At the Saari Residence, this project explored the ancient practice of dowsing - a method of divination traditionally used to locate hidden objects, water, or even metaphysical phenomena - as a tool for activating connections between the local environment, human belief systems, and the act of searching itself. By blending artistic strategies with archival and constructed materials, I developed narrative and visual frameworks that bridge geophysical inquiry and folkloric ritual. Central to this work were handcrafted dowsing rods, fashioned from branches found near the Residence, which served as both physical instruments and symbolic mediators between empirical and intuitive ways of knowing.
Dowsing, defined as “an unexplained process using a forked twig to locate the hidden,” occupies a liminal space between science and superstition. My focus lay in interrogating this ambiguity: How does an “inexplicable” tool generate meaning across cultures and disciplines? By engaging with dowsing’s paradoxical nature - its simultaneous dismissal as pseudoscience and persistence in global traditions - the project generated poetic narratives rooted in acts of searching, loss, and discovery. These themes materialized through site-specific interventions, video documentation (Hidden and Missing Things), and artifacts that oscillate between documentation and fiction.
Check out more about the project here > https://hiddenandmissingthings.tumblr.com/
Studio practice at SAARI Residency | Mynämäki | 2020
Studio practice at SAARI Residency | Mynämäki | 2020
Script editing process for the final video
hidden and missing things | Teaser | 2020
Video | 16:9 | 1'00" | stereo | color
audio in finnish | subtitles in portuguese
In collaboration with Heli Keskikallio
The video work structures its inquiry along two axes:
1. The Practice of Dowsing: Drawing from historical manuals, anecdotal accounts, and speculative diagrams, this thread examines the ritualistic use of dowsing rods. The sources, often fragmented and scientifically unverifiable, highlight humanity’s enduring fascination with tools that promise access to the imperceptible.
2. Post-Glacial Uplift: Contrasting dowsing’s mysticism, this thread investigates a measurable geological phenomenon: the Scandinavian landmass’s gradual rise (up to 9 mm/year) following the retreat of Pleistocene glaciers. In the Gulf of Bothnia, this uplift visibly reshapes coastlines, causing new islands to emerge where sea once dominated—a process echoed in the Saari Residence’s name (“Saari” meaning “island” in Finnish, though it has been landlocked for centuries).
By juxtaposing dowsing’s speculative logic with the glacial pace of geological certainty, the project invites reflection on how we navigate absence, invisibility, and change. Whether through folklore or geophysics, the act of searching—for lost objects, hidden truths, or disappearing landscapes—emerges as a universal gesture, bridging belief and evidence, poetry and data.
Y-Rod | 2019
Model assembled in studio
wood and scale table
variable dimensions
hidden and missing things | Mietoistenlahti | 2020
divining practice
with y-rod
Dowser's belt | 2020
Leather, metal and wooden rods
Variable dimensions
Dowser's belt | 2020
Leather, metal and wooden rods
Variable dimension
In dowser’s belt there were five forked willow wands of varying sizes, which were used on different soils. At night they used to soak the willow forks in water to which there was some cattle urine and a few samples from every springwater in this region – to toughen the wood. In this way their wands were steeped in an intimate knowledge of the water in the valleys and the mountains.
1
Find dowsing or divining rods. You can use natural items as dowsing or divining rods, such as tree branches or sticks. Often, diviners use forked sticks from trees such as willow, peach, and witch hazel. Look for a stick that has a fork with branches of equal length on either end of the fork.
If you do not want to use a forked stick, you can use coat hanger, two wire rods, or a pendulum as a dowsing rod. Cut the coat hanger so you have two pieces of wire that are the same length and extend at least one to two feet. You can also use two wire rods of equal length or a pendulum made especially for dowsing.
2
Hold the rods an arm’s length away from your body. You should then hold the rods in each hand at an arm’s length away from your body. Position the rods so they rest flat over your index fingers and let the butt of the handles rest in the heel of your hands. Do not grip the handles too tightly as the rods need to be able to float freely to work.
Hold the rods about 9 inches (23 cm) apart so they do not cross or collide. You may want to practice holding the rods in your hands a few times to get the hang of it.
If you are using one forked stick, you should hold it an arm's length away from your body. Make sure you hold the stick lightly so it can float freely in your hand.
3
Keep the rods steady and straight as you walk. Once you understand how to hold the rods properly, you should practice walking and moving around while holding the rods. Make sure you keep the rods steady and straight as you walk so they are parallel to the ground.
Hold the rods at arm’s length and walk slowly back and forth across the room. Do not let the rod end tip upward or downward as you move as you do not want to move the rods unintentionally with the force of your body or your arms.
Studio practice at SAARI Residency | Mynämäki | 2020
Classification of forks found in the vicinity of Mietoistenlahti
forest and Vasikkahaan bird-watching tower
Colecting forks near the SAARI Residency | Mynämäki | 2020
Studio practice at SAARI Residency | Mynämäki | 2020
Blackboard with notes and documentation
Studio practice at SAARI Residency | 2020
Schemes and drawings
Studio practice at SAARI Residency | Mynämäki | 2020
Schemes and drawings
Studio practice at SAARI Residency | Mynämäki | 2020
Energy - bifurcation point
Cataloging process / Studio practice at SAARI Residency
Mynämäki | 2020
Collection area
Approximate perimeter - Mietoistenlahti
Mynämäki | 2020
Collecting rods
Mietoistenlahti - Mynämäki | 2020
Collection area
Approximate perimeter - Mietoistenlahti
Mynämäki | 2020
Sea level 'sinking'
Phenomeno of Post-Glacial Uplift - Mietoistenlahti
Mynämäki | 2020
Y-Rod | 2020
Sequence (2 of 5) assembled in the studio
(How to hold the Y-rod properly)
hidden and missing things | Mietoistenlahti | 2020
divining practice
with y-rod